Album Review: Electronic Scream by Edward Grant

Album Review: Electronic Scream by Edward Grant

Written By: Dan Eachus

Release Date: April 10, 2025
Genre: Electronic / Synthwave / Retrosynth / Soundscapes

Introduction

Edward Grant’s debut album of solo instrumental music, Electronic Scream, released on April 10, 2025, is a compelling fusion of ambient electronica, synthwave, retrosynth, and cinematic soundscapes. As a seasoned film composer, Grant brings a narrative depth to this solo project, crafting a sonic journey that is both immersive and evocative. I heavily enjoyed being taken on a sonic journey throughout this album, as I am sure you will as well after reading this review.


Track-by-Track Breakdown

  1. “The Signal”
    Opening with a brief yet impactful introduction, “The Signal” sets the tone with shimmering synth textures that immediately draw the listener into Grant’s atmospheric world. Simple, yet intriguing.
  2. “Ohm’s Law”
    This track introduces a rhythmic pulse, blending retro-futuristic beats with ambient layers. The interplay of electronic elements creates a dynamic soundscape that is both nostalgic and forward-looking. The rest of the album looks bright from here.
  3. “Possession”
    With a haunting melody and subtle textures, “Possession” delves into darker territories. The track’s minimalist approach allows the emotional weight to resonate deeply. Tugs a bit on the heart with this one.
  4. “Devil’s Night”
    A cinematic piece that showcases Grant’s background in film scoring, “Devil’s Night” builds tension through layered synths and dramatic progressions, evoking scenes of suspense and intrigue. Time to run.
  5. “Afterlife”
    This track offers a moment of introspection, with ethereal tones and a gentle rhythm that suggest themes of transition and transcendence. Makes you feel like this is where we all end up.
  6. “Masquerade”
    “Masquerade” combines rhythmic complexity with melodic motifs, creating a danceable yet mysterious atmosphere. The track’s intricate arrangement reflects the duality implied by its title.
  7. “Strada Fantasma”
    Translating to “Ghost Road,” this piece features spectral synth lines and a steady beat, conjuring images of nocturnal journeys through deserted landscapes. A haunting experience for sure.
  8. “Electronic Scream”
    The album’s title track serves as its emotional core, blending intense electronic elements with expressive melodies. It’s a cathartic release that encapsulates the album’s overarching themes. Crazy good track.
  9. “Voltage Love”
    This track introduces a lighter, more playful energy, with bright synths and an upbeat tempo that contrast with the album’s darker moments.
  10. “Overdrive Highway”
    A high-energy piece that captures the essence of motion and speed, “Overdrive Highway” features driving rhythms and dynamic synth layers, simulating the experience of a fast-paced journey. Perfect for those Outrun gaming sessions.
  11. “Dreaming Android”
    Blending human emotion with mechanical precision, this track explores the intersection of technology and consciousness, using intricate electronic patterns to evoke a sense of futuristic introspection.
  12. “Cyber Soul”
    Closing the album, “Cyber Soul” merges soulful melodies with digital textures, leaving the listener with a sense of resolution and reflection. A wonderful close to a great album.

Summary

Electronic Scream is a testament to Edward Grant’s ability to translate cinematic storytelling into an auditory experience. Each track contributes to a cohesive narrative, exploring themes of identity, transformation, and the human relationship with technology. The album’s blend of ambient electronica, synthwave, and cinematic elements creates a rich tapestry of sound that is both emotionally resonant and intellectually stimulating. For fans of atmospheric electronic music and cinematic soundscapes, Electronic Scream offers a journey worth taking.

You can listen to Electronic Scream by Edward Grant on Spotify.

About The Author
- Dan Eachus is the President and co-owner of RetroSynth Records, with his own musical projects in the band Neutron Dreams and his solo project DMME.